Thursday, May 6, 2010


Yesterday I was talking about working on the soft side of Canson Mi-Teintes paper. Today, I found this example of an early pastel where the more toothy side of the paper was used. The pattern of the paper surface adds another element to this little still life (which I cropped from a larger painting for this post). Click on the image to make it larger so you can really see the texture.

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